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Garland, at 16, had to have her breasts strapped to appear more childlike, but her insecurities and wistful vulnerability suited the material perfectly. When she puts on the ruby slippers — silver in the book, but red was so much more dazzling in Technicolor — she takes a giant step towards maturity. The adaptation went through 14 writers and five directors. Richard Thorpe was fired 12 days into the shoot. George Cukor stepped in, shooting nothing but shrewdly ridding Garland of blonde curls and baby doll make-up, before Victor Fleming took the helm. Garland remembered him as a kind man bellowing at her vaudevillian companions jockeying for prominence on the Yellow Brick Road: But the film never went away.
It was regularly re-released theatrically, televised annually for years as a holiday event, and became the very first MGM title released on video inby which time it was part of the fabric of childhood. Nostalgic parents who saw it as kids intuitively introduce it to new generations as a rite of passage. But its imagery became iconic, its dialogue providing scads of universally recognised catchphrases. A classic in every sense of the word.